Fuel

• Josh Tickell s stirring, radical and multi-award winning FUEL may be known by some as the little energy documentary, but in truth, it s a powerful portrait of America s overwhelming addiction to, and reliance on, oil. Having been born and raised in one of the USA s most oil producing regions, he saw first-hand how the industry controls, deceives and damages the country, its people and the environm

Studio: Esi Distribution Release Date: 09/20/2011Josh Tickell's stirring, radical and multi-award winning Fuel may be known by some as the 'little energy documentary,' but in truth, it's a powerful portrait of America's overwhelming addiction to, and reliance on, oil. Having been born and raised in one of the USA's most oil producing regions, he saw first-hand how the industry controls, deceives and damages the country, its people and the environment. After one too many people he knew became sick, ! Tickell knew he just couldn't idly stand by any longer. He decided to make a film, focusing both on the knowledge and insight he discovered, but also giving hope that solutions are within reach. A 'regular guy' who felt he could make a difference, he spent 11 years making his movie, showing himself - and others - that an individual can indeed make a difference.

Harry Potter and the Deathly Hallows, Part 2 (+ UltraViolet Digital Copy)

• Condition: New
• Format: DVD
• NTSC; Dolby; Surround Sound; Widescreen

Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort’s immortality and destruction â€" the Horcruxes. On their own and on the run, the three friends must now rely on one another more than ever…but Dark Forces in their midst threaten to tear them apart. Meanwhile the wizarding world has become a dangerous place. The long-feared war has begun and the Dark Lord has seized control of the Ministry of Magic and even Hogwarts, terrorizing and arresting all who might oppose him. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort…alive.Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (t! he last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be wa! rned, there are some scenes too frightening or adult for young! childre n--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Po! tter series. --Ellen A. KimIn the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxe! s (each containing a bit of Voldemort's soul) leads him first ! to a thr illing (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Ste! ve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim

Brokeback Mountain [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenhaal deliver emotionally charged, remarkably moving performances in "a movie that is destined to become one of the great classics of our time" (Clay Smith, The Insider). Starring: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Linda Cardellini, Randy Quaid, Scott Michael Campbell, Anna Faris, David Harbour Directed by: Ang LeeA sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other ! movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catches fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown! significantly. And while Jack harbors dreams of a life togeth! er, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the sparse bleakness of McMurtry's The Last Picture Show with its fading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is u! nparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark EnglehartDirected by Academy Award®-winning filmmaker Ang Lee, Brokeback Mountain is a sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love. Heath Ledger and Jake Gyllenh! aal deliver emotionally charged, remarkably moving performance! s in “ a movie that is destined to become one of the great classics of our time” (Clay Smith, The Insider).A sad, melancholy ache pervades Brokeback Mountain, Ang Lee's haunting, moving film that, like his other movies, explores societal constraints and the passions that lurk underneath. This time, however, instead of taking on ancient China, 19th-century England, or '70s suburbia, Lee uses the tableau of the American West in the early '60s to show how two lovers are bound by their expected roles, how they rebel against them, and the repercussions for each of doing so--but the romance here is between two men. Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two itinerant ranchers looking for work in Wyoming when they meet and embark on a summer sheepherding job in the shadow of titular Brokeback Mountain. The taciturn Ennis, uncommunicative in the extreme, finds himself opening up around the gregarious Jack, and the two form a bond that surprisingly catche! s fire one cold night out in the wilderness. Separating at the end of the summer, each goes on to marry and have children, but a reunion years later proves that, if anything, their passion for each other has grown significantly. And while Jack harbors dreams of a life together, the tight-lipped Ennis is unable to bring himself to even consider something so revolutionary.

Its open, unforced depiction of love between two men made Brokeback an instant cultural touchstone, for both good and bad, as it was tagged derisively as the "gay cowboy movie," but also heralded as a breakthrough for mainstream cinema. Amidst all the hoopla of various agendas, though, was a quiet, heartbreaking love story that was both of its time and universal--it was the quintessential tale of star-crossed lovers, but grounded in an ever-changing America that promised both hope and despair. Adapted by Larry McMurtry and Diana Ossana from Annie Proulx's short story, the movie echoes the ! sparse bleakness of McMurtry's The Last Picture Show wi! th its f ading of the once-glorious West; but with Lee at the helm, it also resembles The Ice Storm, as it showed the ripple effects of a singular event over a number of people. As always, Lee's work with actors is unparalleled, as he elicits graceful, nuanced performances from Michelle Williams and Anne Hathaway as the wives affected overtly and subliminally by their husbands' affair, and Gyllenhaal brings surprising dimensions to a character that could have easily just been a puppy dog of a boy. It's Ledger, however, who's the breakthrough in the film, and his portrait of an emotionally repressed man both undone and liberated by his feelings is mesmerizing and devastating. Spare in style but rich with emotion, Brokeback Mountain earns its place as a classic modern love story. --Mark Englehart

Philadelphia Phillies Carlos Ruiz "Chooch" Name and Number T-Shirt by Majestic Athletic - ATHLETIC RED Extra Large

• 100% cotton for a nice, comfortable feel
• Rib-knit collar
• Machine washable
• Officially licensed

CHOOCH

There’s More Than One Way to Spell "Jackass" Bocci Park, Queens, is a neighborhood where friends and family are everything. After blowing the big game with their local rivals, Dino Condito (Carmine Famiglietti) is branded the "chooch" (jackass), and in Bocci Park, nicknames can stick. To cheer him up, his cousin Jubilene (Joseph Summa) springs for a vacation in Cancun that will take them out of Queens for the very first time. The trip turns into a comic odyssey as a mix-up at the airport lands them in a Mexican jail, and now it’s up to the neighborhood "crew" to bust them out--with a little help from Dino’s dog, Kiwi. By the end of this heart-warming, laugh-out-loud comedy, Dino finds love in the unlikeliest of places, and everyone is reminded of what life! is all about.

Approximately 80 minutes
Color100% Cotton Screen printed graphics Player name and number on back

Bugsy Malone [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

Warren Beatty and Annette Bening star in the incredible true story of Benjamin Bugsy Siegel, the playboy gangster who betrayed the Mob for love. A cold-blooded killer who dreamed of Hollywood stardom, a crazed patriot who plotted against Mussolini, and the brilliant visionary who carved Las Vegas out of the dry Nevada desert, Bugsy had it all. Until he fell for the one woman who wanted more. A critical masterpiece, BUGSY is a remarkable collaboration of Hollywood's best: director Barry Levinson, screenwriter James Toback, and an all-star supporting cast that includes Harvey Keitel, Oscar®-winner Ben Kingsley (Best Actor, Gandhi,1982), Joe Mantegna, and Elliott Gould. But at the center of itall is the white-hot romance between Bugsy and the insatiable starlet, Virginia Hill.Bugsy represents an almost miraculous combination of director, writ! er, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistr! y of Beatty and Bening (who met and later married off-screen) ! to the s umptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon

!

Bugsy: Extended Cut special features

Anyone who's heard how intense (or perhaps the word is "torturous") it can be to make a film with Warren Beatty will be captivated by the behind-the-scenes extras on the Bugsy: Extended Cut DVD. The highlight is the chat among screenwriter James Toback, director Barry Levinson, and star and co-producer Beatty on how the project and the final film came to be. Tellingly, Beatty is sitting quite apart from the other two, though they're in a semi-circular banquette at Perino's in Los Angeles.

!

The conversation starts out slowly, ! with Tob ack, a genial blowhard, talking about losing the original script, but it picks up steam when the topic turns to the casting of the excellent actors in the film, including Sir Ben Kingsley and Elliott Gould, who also participate. And of course the most interesting off-screen component of the project--Beatty meeting his future wife, costar Annette Bening--is given a fun spotlight in the film. Levinson remembers that after meeting Bening for the first time, Beatty called him enthusiastically saying, "She's great, I love her, I'm going to marry her" ("you know, just a throwaway line," Levinson says, laughing), and Toback and Levinson and Bening herself talk about the signs the two were slowly falling in love. It's as dishy as anything you're likely to see about the notoriously private Beatty, and well worth the investment.

Other extras include several deleted scenes ! that are now included in the film (and unlike many other "extended cut" releases, actually enhance the depth of the story). One is a harrowing scene in which Bugsy contemplates, and nearly commits, suicide, via Russian roulette. Another is an amusing screen test that Siegal takes, thinking his roguish charm will translate to the big screen. Though it takes Beatty's considerable talents to make that happen, the earnestness of Siegal's outsider character is touching in glimpses like this. --A.T. Hurley

Beyond Bugsy

!

Other Gangsters films on Amazon.com

More Films staring Warren Beatty

See the true story

Stills from Bugsy (click for larger image)

Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) an! d Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambit! ion to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff ShannonWriter-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showg! irls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).

Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work ! of a madman" and one of the strangest yet most stylish childre! n's film s ever made. --Gary S. DalkinImport only Blu-Ray pressing. Region All. Special features include, Promotional Trailers, Photo Gallery, 'From Sketch to Screen' featurette. 1080p / 16:9 - 1.78:1. Dolby Digital 5.1. This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. ITV. 2008.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children! , including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).

Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. Dalkin

National Geographic Field Guide to the Birds of North America, Fifth Edition

• ISBN13: 9780792253143
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A New York Times Book of the Year
A National Book Critics Circle Award Finalist
Winner of the Salon Book Award
A Village Voice Book of the Year

Birds of America is the celebrated collection of twelve stories from Lorrie Moore, one of the finest authors at work today.
 
“Fluid, cracked, mordant, colloquial…. Stand[s] by itself as one of our funniest, most telling anatomies of human love and vulnerability.” â€"The New York Times Book Review

“A marvelous collection…. Her stories are tough, lean, funny, and metaphysical…. Birds of America has about it a wild beauty that simply makes one feel more connected t! o life.” â€"The Boston Globe
 
“At once sad, funny, lyrical and prickly, Birds of America attests to the deepening emotional chiaroscuro of her wise and beguiling work.” â€"The New York Times
 
“Stunning…. There’s really no one like Moore; in a perfect marriage of art form and mind, she has made the short story her own.” â€"Milwaukee Journal Sentinel
 
“Birds of America stands as a major work of American short fiction…. Absolutely mastered.” â€"Elle
 
“Wonderful…. These stories impart such terrifying truths.” â€"Philadelphia Inquirer
 
“Lorrie Moore soars with Birds of America.... A marvelous, fiercely funny book.” â€"Newsweek
 
“Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore.â€!  â€"Harper’s MagazineLorrie Moore made her debut in ! 1985 wit h Self-Help, which proved that she could write about sadness, sex, and the single girl with as much tenderness--and with considerably more wit--than almost any of her contemporaries. She followed this story collection with another, Like Life, as well as two fine novels, Anagrams and Who Will Run the Frog Hospital? Yet Moore's rapid-fire alternation of mirth and deep melancholy is so perfectly suited to the short form that readers will greet Birds of America with an audible sigh of relief--and delight. In "Willing," for example, a second-rate Hollywood starlet retreats into a first-rate depression, taking shelter in a Chicago-area Days Inn. The author's eye for the small comic detail is intact: her juice-bar-loving heroine initially drowns her sorrows in "places called I Love Juicy or Orange-U-Sweet." Yet Moore seldom satisfies herself with mere pop-cultural mockery. She's too interested in the small and large devastations of ! life, which her actress is experiencing in spades. "Walter leaned her against his parked car," Moore relates. "His mouth was slightly lopsided, paisley-shaped, his lips anneloid and full, and he kissed her hard. There was something numb and on hold in her. There were small dark pits of annihilation she discovered in her heart, in the loosening fist of it, and she threw herself into them, falling." Elsewhere, the author serves up a similar mixture of one-liners and contemporary grief, lamenting the death of a housecat in "Four Calling Birds, Three French Hens" and the death of a marriage in "Which Is More Than I Can Say About That." And her hilarious account of a nuclear family undergoing a meltdown in "Charades" will make you want to avoid parlor games for the rest of your natural life. --James Marcus Essential for the estimated 62 million Americans who watch and feed birds in their backyardsâ€"from the experts at National Geographic and co-author of the ! popular and perennial best seller Field Guide to the Birds! of Nort h America.
 
No matter where you liveâ€"in the country, city, a high-rise or houseâ€"this handy guide will quench your curiosity about the feathered creatures in your midst. It features 150 of the most common and interesting birds likely to be observed at backyard feeders, nesting nearby or just migrating through. An indispensable visual index of all 150 species appears on the inside front and back laminated covers, making identification a snap.
 
Beginning with Backyard Basics, an easy-to-follow, richly illustrated presentation on observing and identifying birdsâ€"with tips on attracting and feeding your favorite birds, birdhouses, and bird-friendly landscapes to entice nestingâ€"the book is full of National Geographic’s iconic field guide images and maps.
 
Core species on everyone’s listâ€"such as robins, woodpeckers, bluebirds and chickadeesâ€"are featured in two-page spreads including practical tips with additional imagery. Sidebars captivat! e with interesting and little known facts.
 
Backyard Guide to Birds is linked to even more content, including audio of each of the book’s 150 birds’ songs and calls at nationalgeographic.com/birding.Subtitled The Audubon Society baby elephant folio , this spectacular new edition reproduces all 435 of Audubon's hand-colored engravings from the original plates of the Audubon Society's archival copy of the Double elephant folio . Reorganized and annotated by the famed Roger Tory Peterson (who also

From the National Wildlife Federation® comes the most up-to-date, all-photographic field guide to North American birds. Birders will find it indispensable: this single, portable volume features more than 750 species, along with more than 2,000 stunning images by leading nature photographers showing birds in their natural habitats. Captions highlight important field marks, and comprehensive species accounts describe habitats, behavior, flight, migration, song! s, and plumages. Other features include: more than 600 maps sh! owing bi rd distribution in every season; strategies for watching and identifying birds; a complete species index plus a quick-flip index; a glossary of terms; and a checklist of birds. The guide’s unique waterproof cover makes it especially valuable for use in the field.

John James Audubon's paintings and descriptions of the birds of North America remain the gold standard against which all ornithological portraits are judged. His landmark work, Birds of America (1838), consisted of 435 life-size prints that were published in batches of five over the course of thirteen years. Because the prints were extremely large and had to be hand-colored by a team of painters, the cost of creating the original sets was exorbitant. Today, complete copies are rare--the last to be sold commanded approximately $11.5 million in a December 2010 auction, making it the most expensive book ever.

 

The exquisitely preserved, complete set of prints from which thi! s slip-cased facsimile edition was created is part of the permanent collection of the Natural History Museum of London. The images were captured using state-of-the-art digital scanning techniques to preserve the intricate detail and vibrant colors of Audubon's original work. It's a stunning book--and a reminder to us of the importance of preserving these lovely creatures and their natural habitats.

National Geographic Field Guide to the Birds of North America, 6th Edition contains the most all-new material since the first edition was published more than 25 years ago. The latest edition will include 300 new art figures; unique subspecies maps never before seen in a field guide; extensive migration information overlaid on species maps; field-mark labels on all artwork; text updates to include new species; reorganization reflecting taxonomic changes in the bird community; organization, readability, and increased page count with a fresh new design.Birding is t! he fastest growing wildlife-related activity in the U.S., and ! even con servative estimates put the current number of U.S. birders at 50 million. According to the New York Times, some authorities predict that by 2050 there will be more than 100 millionâ€"and the National Geographic Field Guide to the Birds of North America will be the essential reference for field identification and the cornerstone of any birder's library. This is the ultimate, indispensable bird field guideâ€"comprehensive, authoritative, portable, sturdy, and easier than ever to use.

Among the the new edition's key elements and practical improvements: Every North American speciesâ€"more than 960, including a new section on accidental birdsâ€"classified according to the latest official American Ornithologists' Union checklist 4,000 full-color illustrations by the foremost bird artists at work todayand newly updated range maps that draw on the latest data New durable cover for added protection against adverse weather, plus informative quick-reference flaps ! that double as placemarkers New reader-friendly features like thumbtabs that make locating key sections faster and easier, and a quick-find index to direct users straight to the information they need.

United Cutlery UC2772 Expendables Kunai Thrower Set with Sheath, 3-Piece

• 12-Inch overall length
• Perfectly balanced
• AUS-6 stainless steel blade
• Cord wrapped handle
• Nylon belt sheath with leg strap and belt loop

Officially licensed "The Expendables" 3 - Pk. of 12" Kunai Throwing Knives, PRICED RIGHT! Faithful re-creations of blades from the hit action film! Of course, they're also razor sharp, perfectly balanced and ready for practical use, too. Tossable trio: Each is crafted from a single piece of anodized stainless steel; Double-edged blade for maximum efficiency; Perfectly balanced and ready to throw; Black cord-wrapped grip handles; Finger-hole pommel; Each blade has a laser-etched "Expendables" logo; Custom nylon sheath and Certificate of Authenticity. Each is 12"l.; Set weighs 1 lb., 7 ozs. Order Now!; WARNING: You must be 18 or older to purchase Daggers/Throwing Knives/Stilettos. Daggers/Throwing Knives/Stilettos cannot be ship! ped to CA; CO; CT; DE; ID; NH; NJ; NY; PA; TN; D.C.; MA; Miami-Dade, Canada or Puerto Rico. Please check your State, County and City laws for restrictions before ordering Daggers/Throwing Knives/Stilettos. 3-Pk. of "The Expendables" 12" Kunai Throwing Knives

Billabong Odyssey

• An extreme sports adventure! Top professional surfers scour the world's oceans to ride the biggest waves on the planet. Experience the thrills and spills of action-packed big wave surfing.Running Time: 92 min. Format: DVD MOVIE Genre: SPORTS/GAMES Rating: PG Age: 085393431921 UPC: 085393431921 Manufacturer No: 34319

No Description Available.
Genre: Sports Highlights
Rating: NR
Release Date: 20-APR-2004
Media Type: DVDIn addition to boasting one of the most astonishing opening sequences in the history of extreme-sports filmmaking, Billabong Odyssey offers a breathtaking survey of big-wave surfing at a pivotal stage in its evolution. With the advent of Jet-Ski Waverunners used for "tow-in" access to gigantic waves that paddle-surfers could never reach, this three-year, globe-trotting quest for the world's biggest waves is nothing less than spe! ctacular. As documentaries go it's a bit cruder than 2003's other surfing movie, Step Into Liquid, and many of the same world-class surfers appear in both films (including 49-year-old Ken Bradshaw, still going strong). But Billabong is unrivaled in its abundance of jaw-dropping footage--most of it shot from helicopters hovering in close proximity--showing the sheer, terrifying scale of breaking "tubes"--some reaching 100 feet--at the most challenging big-wave locations on the planet, including Maverick's at Santa Cruz, California; Cortes Bank off the Pacific Coast; "Cyclops" in Australia; Mundaka, Spain; and the treacherous "Jaws" reef on the coast of Maui, Hawaii.

While touching on various hot topics such as safety training, serious wipe-outs, swell-tracking technology, female surfers (like the great Layne Beachley), and hydrofoil surfboards (billed as "the future of the sport"), director Philip Boston applies a casual, competitive structure that's too dif! fuse and lightweight to have much impact. But when the film fo! cuses on the climactic "Jaws" showdown between Carlos Burle and Mike Parsons, Billabong Odyssey achieves a state of raw power and spiritual intensity, culminating in Parsons' best-ever 10-point ride on a massive tube that constantly threatens to consume him. As dozens of adrenaline-junkie surfers strive for new horizons of unprecedented skill, Billabong Odyssey chronicles their efforts with amazing bird's-eye cinematography. For surfers and non-surfers alike, this movie must be seen to be believed. --Jeff Shannon