Senin, 07 November 2011

Halloween [Blu-ray]

  • The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis, in her debut role, plays a babysitter who must protect herself from the deadly Michael Myers, a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent mo
The film which ushered in the modern age of horror stands well above its many sequels and clones because John Carpenter's taut direction makes it truly scary. Jamie Lee Curtis in her debut role plays a babysitter who must protect herself from the deadly Michael Myers a mental institution escapee who killed his sister on Halloween fifteen years earlier. Called "the most successful independent motion picture of all time" HALLOWEEN is also one of most frightening films ever made.System Requirements:Run! ning Time: 92 mins.Format: DVD MOVIE Genre: HORROR Rating: R UPC: 013131542899 Manufacturer No: DV15428Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loo! mis, after John Gavin's character in Psycho. In the end! , though , Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly moun! ted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more install! ments: 1981's dismal Halloween II, which picked up the ! story th e day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert HortonNo Description Available.
Genre: Horror
Rating: NR
Release Date: 2-OCT-2007
Media Type: Blu-RayHalloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pic! tures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at the screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton Halloween is as pure and undiluted as its title. In the small! town of Haddonfield, Illinois, a teenage baby sitter tries to! survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal). Composed by Carpenter himself, the movie's freaky music sets the tone; and his script (cowritten with Debra Hill) is laced with references to other horror pictures, especially Psycho. The baby sitter is played by Jamie Lee Curtis, the real-life daughter of Psycho victim Janet Leigh; and the obsessed policeman played by Donald Pleasence is named Sam Loomis, after John Gavin's character in Psycho. In the end, though, Halloween stands on its own as an uncannily frightening experience--it's one of those movies that had audiences literally jumping out of their seats and shouting at th! e screen. ("No! Don't drop that knife!") Produced on a low budget, the picture turned a monster profit, and spawned many sequels, none of which approached the 1978 original. Curtis returned for two more installments: 1981's dismal Halloween II, which picked up the story the day after the unfortunate events, and 1998's occasionally gripping Halloween H20, which proved the former baby sitter was still haunted after 20 years. --Robert Horton

Cherry Blossom Decorative Vinyl Wall Art Sticker Decal

Bait Shop

  • Quality Used DVD Guarantee!!
  • Original Cover Art!!
  • Easy Return Policy - Visit Movie Planet Online to Learn More!
A small time crook doesn't realize he is the bait in a sneaky government scheme to capture a killer.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 4-FEB-2003
Media Type: DVDWhen petty thief and hustler Alvin Sanders (Jamie Foxx from Any Given Sunday and The Wood) gets arrested for stealing shrimp, the worst of his problems would seem to be going to jail. Unfortunately, he ends up sharing a cell with a guy who, while stealing $42 million in gold from the Federal Reserve, double-crossed his partner--a partner with a knack for computers and a long memory. While being interrogated by a hardball Treasury agent (David Morse from The Green Mile), the double-crosser dies from heart failure. All the f! eds have are an incomprehensible message that was left with Alvin, so they decide to release him and use him as bait to catch the partner by secretly implanting a combination tracking device and electronic bug into Alvin's jaw. From that moment on, a surveillance team can follow Alvin's every move and hear his every word. Unfortunately, Alvin has a talent for getting into trouble--which means that the feds have to become his guardian angels so that he can serve his purpose. Bait certainly has its problems (there's a lot of fancy editing for no good reason, a few plot holes you could drive a truck through, and the actor playing the bad guy really wishes he was John Malkovich)--but even though it's nonsense, it's not predictable. The clever story moves along with surprising efficiency and has some successful comic bits. The characters can't be called well developed, but they aren't clichés; the movie doesn't require any great acting, but the cast is consistently engag! ing. In fact, Bait is one of the more enjoyable action ! movies o f the past few years. --Bret Fetzer Diego has gotten into trouble because of his temper before. But when he punches out a guy at school who was looking at him funny, he finds himself in juvenile court, facing the possibility of probation, or worseâ€"juvenile jail. Diego doesn’t trust or like Mr. Vidas, his assigned probation officer. But it’s either talk to Mr. Vidas, or end up in worse trouble. When Diego eventually opens up to Mr. Vidas, he begins to understand that the source of his anger is buried in his pastâ€"and to move beyond it, he must stop running from his personal demons.Live bait makes all the difference.

Sent on a mission to lure Budapest’s vampire Overlord into a trap, Connie Bence is instead caught red-handed by the dark Casanova.

Her employer has concrete proof of the dubious leader’s misdeeds but she is surprised when this ruthless killer, Rurik, offers her protection and rescues her from his own kind. It plants seeds o! f doubt in her mind and she begins to question his guilt.

Now she is thrown into his world where blackmail determines her every move and where she must betray those she cares about or let them die. The stakes are high. She either puts her trust in Rurik or leads him to his execution.

Love or life.
Live bait makes all the difference.

Sent on a mission to lure Budapest’s vampire Overlord into a trap, Connie Bence is instead caught red-handed by the dark Casanova.

Her employer has concrete proof of the dubious leader’s misdeeds but she is surprised when this ruthless killer, Rurik, offers her protection and rescues her from his own kind. It plants seeds of doubt in her mind and she begins to question his guilt.

Now she is thrown into his world where blackmail determines her every move and where she must betray those she cares about or let them die. The stakes are high. She either puts her trust in Rurik or leads him to h! is execution.

Love or life.
Studio: Lions Gate Hom! e Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better known as Miley's dad) opens a massive fishing superstore right next door. Only by challenging Hot Rod in a bass fishing tournament can Bill set things right! Bait Shop is a bundle of clumsy cliches made somewhat tolerable by a likable cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras ! include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer

Camarguais Bull

City of Men

  • As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha
As Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Jan! eiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure in the poverty-ridden neighborhood. The other three episodes of the first series carry on this riveting approach, mingling social observation with rich, compelling characters. From the s! econd series on, the show becomes less overtly political and m! ore abou t Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

The Family That Preys - Tyler Perry - New Movie Poster

  • High Quality Product
  • Great Collectible
  • Great Wall Décor
  • Brand New Item
FAMILY THAT PREYS - DVD MovieAcademy Award®-winner Kathy Bates (Lead Actress, Misery, 1990) and Academy Award®-nominee Alfre Woodard (Supporting Actress, Cross Creek, 1983) star as the matriarchs of two very different families being torn apart by greed and scandal in the contemporary drama Tyler Perry's The Family That Preys. The sixth feature film by Perry chronicles the inner workings of two familiesâ€"one upper-crust and the other working classâ€"that become inextricably linked by scandal. Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarit! al affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all involved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mother’s best friend’s son William (Cole Hauser). While cheating on his wife Jillian (KaDee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mother’s lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji P. Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. While paternity secrets, marital infidelity, greed and unsavory business dealings threaten to derail both families, Charlotte and Alice decide to take a breather from it all by making a cross-co! untry road trip in which they rediscover themselves and possib! ly find a way to save their families from ruin in Tyler Perry's The Family That Preys.

Beyond Tyler Perry's The Family That Preys on DVD


Tyler Perry's Meet the Browns on DVD

Tyler Perry's Why Did I Get Married on DVD

Tyler Perry's Daddy's Little Girls on DVD
FAMILY THAT PREYS - DVD MovieAcademy Award®-winner Kathy Bates (Lead Actress, Misery, 1990) and Academy Award®-nominee Alfre Woodard (Supporting Actress, Cross Creek, 1983) star as the matriarchs of two very different families being torn apart by greed and scandal in the contemporary drama Tyler Perry's The Family That Preys. The sixth feature film by Perry chronicles the inner workings of two familiesâ€"one upper-crust and the other working classâ€"that become inextricably linked by scandal. Wealthy socialite Charlotte Cartwright (Kathy Bates) and her dear friend Alice Pratt (Alfre Woodard), a working class woman of high ideals, have enjoyed a lasting friendship throughout many years. Suddenly, their lives become mired in turmoil as their adult children’s extramarital affairs, unethical business practices and a dark paternity secret threaten to derail family fortunes and unravel the lives of all invo! lved. Alice’s self-centered newlywed daughter Andrea (Sanaa Lathan) is betraying her trusting husband Chris (Rockmond Dunbar) by engaging in a torrid affair with her boss and mother’s best friend’s son William (Cole Hauser). While cheating on his wife Jillian (KaDee Strickland) with a string of ongoing dalliances with his mistress Andrea, William’s true focus is to replace the COO of his mother’s lucrative construction corporation. Meanwhile, Alice’s other daughter Pam (Taraji P. Henson), a kind but no nonsense woman married to a hard working construction worker (Tyler Perry), tries to steer the family in a more positive direction. While paternity secrets, marital infidelity, greed and unsavory business dealings threaten to derail both families, Charlotte and Alice decide to take a breather from it all by making a cross-country road trip in which they rediscover themselves and possibly find a way to save their families from ruin in Tyler Perry's The Fami! ly That Preys.

Bey! ond T yler Perry's The Family That Preys on DVD


Tyler Perry's Meet the Browns on DVD

Tyler Perry's Why Did I Get Married on DVD

Tyler Perry's Daddy's Little Girls on DVD
Jet Magazine Sept. 8, ! 2008 Taraji P. Henson & Sanaa Lathan Tyler Perry's Family That! Preys, Olympic Medal Wrap-up, The Barack Obama Strategy .13.5x20 Mini Original Movie Poster

The Brave One (Widescreen Edition)

  • ?Why don?t they stop me?? Erica Bain wonders. Bain, a popular N.Y radio host, watched her fianc? die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop
"The name's Cougar. Just Cougar. One name is enough."

Behind the bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought ! her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless…."The name's Cougar. Just Cougar. One name is enough."

Behind the bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless…."The name's Cougar. Just Cougar. One name is enough."

B! ehind th e bravado was a complex man. War hero. "Indian cowboy." Walking wounded in search of answers. Cougar needed to build a new life, and he'd start with what he loved most. Horses. Which brought him to the Double D Wild Horse Sanctuary. And into the orbit of ranch volunteer Celia Banyon and her very special son.

The boy had suffered an unspeakable accident, and his mother felt unspeakable guilt. But something about Cougar brought her back from the brink. He represented her chance to be a woman again. Now, suddenly, one name wasn't enough for what they could have if they'd just let themselves. Healing. Love. Family. Forever. In fact, the possibilities were endless…."Why don‘t they stop me?" Erica Bain wonders. Bain, a popular N.Y radio host, watched her fiancé die and nearly lost her own life to a vicious, random attack. Now she discovers a stranger within herself, an armed wanderer in the urban night, out for vengeance and at war with her own soul. Two-time Academy Award ! winner Jodie Foster, as Erica, joins Oscar nominee Terrence Howard, as a determined cop hot on her trail. Erica?s future is uncertain, but one thing is not: THE BRAVE ONE is a high- tension thriller that packs a visceral and emotional punch.Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual. Finally, despite its seriousness of purpose, The Brave One, to a certain extent, is drearily tethered to the old atrocity-and-revenge genre, bumping al! ong to the familiar, Death Wish-like rhythms of an aven! ger seek ing successive conflicts with bad guys he or she can blow away.

Somewhat at cross-purposes, The Brave One stars Jodie Foster in a shattering performance as Erica Bain, a popular essayist on a public radio station in New York. In love and engaged to David (Naveen Andrews), a doctor, Erica and her fiancé are brutally attacked one night by a gang of thugs. David is killed but Erica survives, only to find herself a stranger in her own skin, facing down her fears by shooting violent criminals.

With the city riveted by her anonymous actions, Erica becomes an object of curiosity for a police detective (an excellent Terrence Howard) disillusioned by his own struggles to protect the innocent from truly evil men. Jordan's previous films (The Crying Game, Breakfast on Pluto) resonate with The Brave One's most interesting angle, i.e., that each of us possesses a hidden element in our identities that comes out in extreme circumstances, making us wonde! r who we really are. It's all excellent food for thought, but the film squanders much of its significance by thrusting Erica into numerous, outlandish situations in which her only alternative is to put a bullet in a bad guy. The result is a smart film tediously structured like a disposable B movie. --Tom Keogh

web log free