Fugitive Pieces: A Novel

• ISBN13: 9780679776598
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A New York Times Notable Book of the YearWinner of the Lannan Literary Fiction AwardWinner of the Guardian Fiction AwardIn 1940 a boy bursts from the mud of a war-torn Polish city, where he has buried himself to hide from the soldiers who murdered his family. His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.As Michaels follows Jakob across two con! tinents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a child, witnessed his family's slaughter at the hands of the Nazis. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust s! urvivors and who is a vessel for their memories just as Jako! b is the bearer of his own.

Fugitive Pieces is a book about memory and forgetting. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies.

High Quality Blue Violet Purple Laser Pointer with Star Lane Effect

• Expected Life: over 8,000 hours
• Dimension :14 x 160mm
• Output power < 5mW
• Wavelength : 405nm
• Power supply :AAA Batteries (Include)

The gorgeous rising French star Fanny Valette (Moliere, Little Jerusalem) leads a cast of sexy young actors in the riveting action suspense film High Lane. A group of friends on a climbing vacation ignore warnings that the mountains are closed and start their ascent anyway. Collapsing bridges, bear traps and other dangers threaten to splinter the groupwhen the real hell begins and an unseen villain begins picking them off one by one. Combining the heart-stopping suspense of Cliffhanger with the mortal dread of a serial killer, High Lane is certain to cure you of a fear of heights: who cares about the fall when it gets you away from a lunatic?Toyota Production System methods have rendered remarkable results in high-volume manufacturin! g plants, but they have not been fully understood and correctly applied in high-mix, low-volume environments. While lean principles do apply, the implementation methods and tools must be adapted and alternate methods embraced in a low-volume environment. This volume is specifically geared for manufacturers that have hundreds to thousands of active part numbers with few or no ongoing forecasted volumes, and for job shops that build only to order. The primary focus is eliminating non-value-added activities and instituting improvements on the most repetitive jobs, a strategy that gives you more time to produce your low-volume work or one-offs.

About the author:

Greg Lane is a faculty member of the Lean Enterprise Institute and an advisor to the Instituto de Lean Management in Spain. During his time with Toyota, he was one of a  handful of candidates selected for a one-year training program conducted by the company’s masters. He became certified as a Toyota ! Production System (TPS) Key Person and continued his work with! Toyota, training others in TPS.

He has been highly active in working on implementing lean around the world, supporting large and small companies alike. In 1998, he began to focus his lean endeavors on meeting the specific needs of high-mix, low-volume enterprises. During his time as an independent consultant, Greg purchased and operated his own manufacturing company, which specialized in fast turnaround on high-mix, low-volume parts. Greg used TPS to grow the business and nearly double its sales.

Greg and his associates have experience not only at adapting the methods contained in this book, but also in applying other tools that are too numerous to detail here. They can be reached for further support with your lean transformation via email: glane@lowvolumelean.comBe noted that the power is within a range around 5mW, so lasers may not have exactly the same brightness; also do not pursuit those overpowered lasers, because that may not be safe and legal. they are perfect ! to create constellations at home

Blue Collar Comedy Tour

• A feature film version of America's hit comedy concert tour, "Blue Collar Comedy Tour - The Movie" stars renowned comedians Jeff Foxworthy and Bill Engvall and fellow Blue Collar comics Ron White and Larry The Cable Guy. The film features live stand-up performances filmed at Phoenix's Dodge Theater as well as behind-the-scenes sequences highlighting the individual comedians. The number one comedy

For the first time ever, all three Blue Collar Comedy Tour movies are available to own in one complete set!The redneck quartet from the original Blue Collar Comedy Tour re-groups for another night of laughs, with (mostly) fresh material performed for an upbeat audience. A funny, clubby preface on a tour bus establishes a tone of lowbrow camaraderie among Jeff Foxworthy, Larry the Cable Guy, Ron White, and Bill Engvall, but once on stage, the differences between each comic's style is considerab! le. Amiable Engvall kicks things off with gentle gibes: "Men are basic: eating, sleeping, sex. I can do all those in my truck." The decadent air of Ron White darkens the show: "If I'd known the difference between 'antidote' and 'anecdote,' my friend would still be alive today." Foxworthy, the likable Everyman, comments on his wife's hypochondria: "Honey, you do not have testicular cancer." Finally, Larry the Cable Guy lowers the bar on sick-hick humor but does score occasionally: "I got a vasectomy at Sears. When I get excited, the garage door opens." --Tom KeoghA feature film version of America's hit comedy concert tour, "Blue Collar Comedy Tour - The Movie" stars renowned comedians Jeff Foxworthy and Bill Engvall and fellow Blue Collar comics Ron White and Larry The Cable Guy. The film features live stand-up performances filmed at Phoenix's Dodge Theater as well as behind-the-scenes sequences highlighting the individual comedians. The number one comedy tour of the ! last two years, The Blue Collar Comedy Tour has grossed more t! han $12 million to date and produced a best-selling live album, The Blue Collar Comedy Tour Live, released in November 2001.It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things off to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport security and, of course, renders his trademark re-re-re-definitions of what constitu! tes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom Keogh

Flashbacks Of A Fool [Blu-ray]

• FLASHBACKS OF A FOOL BLU-RAY (BLU-RAY DISC)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attract! ed to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat akin to a parasite dissing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the Cali! fornia setting, both of them handsomely photographed by cinema! tographe r John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

Flashbacks of a Fool Soundtrack
Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe fla! shes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attracted to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and ev! en his agent is sick of him, which is somewhat akin to a paras! ite diss ing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the California setting, both of them handsomely photographed by cinematographer John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that i! s. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

Hanging Hooks Garden Single Hummingbird - Regal Art #5069

• Extensive Handcrafting Is Put Into Each Piece.
• Special Painting Techniques Creates A 'Patina' Effect.
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• Mix And Match Items In Same Or Different Themes.

Drugs.  Extortion.  Slavery.  Organized crime is fighting for a hold on John Rebus's peaceful Scotland.  And when Rebus rescues a young Bosnian girl forced into prostitution, he breaks a policeman's golden rule to never get personally involved in a case.  Add to that the hunt for an elderly Nazi accused of slaughtering an entire French village, and Rebus wonders just how evil humans can be.  Until his own daughter is mortally injured as a gangland warning for him to back off.  Then even a dedicated cop like Rebus might make a deal with the devil to find the culprit.  Not for justice.  For revenge. 

Ian Rankin's ninth b! ook about Inspector John Rebus of the Edinburgh police is so full of story that it seems about to explode into shapeless anarchy at any moment. What keeps it from doing so is Rankin's strong heart and even stronger writing skills. When a Bosnian prostitute refuses to testify against a crime boss who has threatened her family, he says this about the cops trying to pressure her: "Silence in the room. They were all looking at her. Four men, men with jobs, family ties, men with lives of their own. In the scheme of things, they seldom realised how well off they were. And now they realised something else: how helpless they were."

Rebus is trying to help the young woman--renamed Candice by the young, slick, brutal thug Tommy Telford, who is into everything from drugs and prostitution to aiding a Japanese business syndicate in acquiring a local golf course--because she's about the same age and physical aspect as his own daughter, Sammy. He's also conducting the ! investigation of a suspected Nazi war criminal, an old man wh! o spends his time tending graves in Warriston cemetery. "A cemetery should have been about death, but Warriston didn't feel that way to Rebus. Much of it resembled a rambling park into which some statuary had been dropped," Rankin writes with the icy clarity of cold water over stone.

Add to this Rebus's involvement with an imprisoned crime boss in a plan to bring Telford down; his continuing battle with drink; the strong possibility that people high up in the British government don't want the old Nazi exposed; danger to Sammy and her journalist lover because of her father's work; and a somewhat strained metaphor of Edinburgh as a new Babylon and you have an admittedly large pot of stew. But Rankin's high art keeps it all bubbling and rich with flavor. Others in the Rebus series include his 1997 Edgar Award-nominated Black and Blue, as well as Hide and Seek, Knots and Crosses, Let It Bleed, Mortal Causes, Strip Jack, and ! Tooth and Nail. --Dick AdlerThis Hanging Hooks Garden Single Hummingbird - Regal Art #5069 will be at home in your office or home, bathroom, by your door, in your kitchen, your bedroom or guestroom. Matching other items in Regal's line you can incorporate these hooks into your unique decorating theme. Or just use separately as a great accent. These hooks are very sturdy: the smaller racks are perfect for keys, leashes, utensils and lighter weight items; the larger racks hold clothing towels, pots/pans, hats and heavier items; the individual hooks can be placed wherever a hook is handy and can be used for whatever. Just about any place you need hooks is the perfect place for these fun-themed hooks.

Regal Art & Gift is the leading manufacturer in the Gift & Garden Industry. Owners Bill and Audrey Costello started the company in 1992 by introducing unique decorative Home & Garden products. Over the past 17 years their exclusive quality product offerings and ! always-fresh designs have helped the company become the leader! in this industry.

Size: 5 x 14H Inches -- Color: Metal

Around the World in Eighty Days (Signet Classics)

• ISBN13: 9780451529770
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Jules Verne's all-time bestseller "Around the world in 80 Days"This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Phileas Fogg bet his fellow club members that he can circle the globe in eighty days. That may not be impressive today, but in 1872, it was nearly impossible. Accompanied by his valet, Passepartout, and the wandering Princess Aouda, Fogg crosses Europe! , India, Japan, the Pacific and the United States.This Mike Todd production was a star-studded, multi-million dollar extravaganza when first released in 1956. It remains enjoyable family fare, but time has somewhat dulled its shine. Still, it compares favorably to the overly long, TV mini-series starring Pierce Brosnan and Eric Idle.

Elegant David Niven plays the neurotically punctual Phileas Fogg, a British gent who is spurned on by a wager to prove he can travel around the world in 80 days. He is accompanied by his valet, played with persnickety humor by Cantinflas.

Nominated for several Academy Awards, this was written by John Farrow (Mia's dad) and S.J. Perelman, based on Jules Verne's 1873 classic. The fun part is the razzle-dazzle. Todd knew what he was doing with all those exotic locales and over 40 cameo appearances, including Charles Boyer, Ronald Colman, Marlene Dietrich, José Greco, Peter Lorre, Buster Keaton, Frank Sinatra, and Red Skelton. A very youn! g Shirley MacLaine was painted and dyed to play a lively India! n Prince ss. --Rochelle O'GormanThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Take a journey of imagination.

In this all-time favorite, Phileas Fogg and his manservant set out to win a wager by travelling around the world in 80 days. They embark on a fantastic, action-packed journey into a world filled with danger and beauty, from India to the American frontier.